The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown.
Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath.
The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus ("The Church Is an Old House"), which was distributed to the members of the committee for their comments.
In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church.
On 4 July, Dreyer went in advance to Ringkøbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast.
Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive.
The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.
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关于教堂的短纪录片,德莱叶由旁观到严肃及至虔诚。
看得是俄语字幕,只能看出来画面比较严肃。
7。丹麦乡村教堂演变史:罗马双塔西,半亭唱经东;尖拱飞扶壁,哥特起层穹。北祷抱圣器,圣洗顶铜盖;雕画兴讲坛,木石砖俱在。摇摇欲倾,管风嘤嘤;钟摆串联,死生(模型)可爱。
有一说一,我觉得这比那个长篇精彩(
没什么感觉……可能是我对德莱叶的打开方式不太对?
2022-11-27重看;从木制到石制到哥特式,无论是教堂外观还是内部改造,其发展历史微缩了时代变迁,德莱叶对宗教描述的偏好一以贯之。
展现丹麦教堂的历史,有微缩模型,也有实景拍摄甚或搬演。神圣庄严感拍出来了。PS:德莱叶作品中总能见到教堂钟声敲响的特写~
建筑风格演变的部分是做了模型吗?
一个纪录片,短片洗礼,婚礼什么的
20221127 德莱叶回顾展
十年木教堂,百年石教堂,永恒光影之教堂
7。丹麦的教堂
《丹麦小村教堂》,1947年,卡尔·西奥多·德莱叶,14分钟,丹麦电影博物馆出品。很严肃很虔诚的德莱叶。筑于石头之上的教堂 今日依然屹立,即使尖顶欲坠,随处可见倒塌的穹顶,钟声依然响起,召唤老幼休憩。但最最紧要的是 哀伤苦恼的灵魂们渴望在安详静谧的钟声中,获得长久的安宁平静。
德莱叶作品回顾展。经历了《逝去的时光 》的折磨,大家都对这部乏善可陈的纪录片宽容了很多
平实清晰的说明文,用模型讲解从中世纪石建加盖哥特拱顶蛮不错的。
我觉得德莱叶是比较喜欢教堂的,所以严肃了不少;)
时代变幻,喜怒哀乐,亘古不变。
宗教建筑的更新迭代
补标