四星完全是冲着美神Rita给的。
说实话这部片子看得我还是有些懵逼的。剧情不难,可以总结为简单的一个新欢旧爱的争夺战?吉尔达为了报复乔尼的抛弃,下嫁给巴乔。结果命运捉弄,巴乔机缘巧合的救了乔尼,并收为下属。这种前期铺展,他俩如果不复合都出鬼了哈哈哈。
让我不懂的是乔尼的人设。简直是wtf?这么美就是有一些小任性的吉尔达,乔尼舍得抛弃?所以他到底要求吉尔达怎样呢。必须小鸟依人唯命是从还是咋滴。那你到底爱吉尔达的那点?当然了,他俩的过往几乎没有被提及,我实在臆测不出来。不过大概不过是小矛盾小过节吧。谁让这俩人爱的那么深。。。。哪来的深仇大恨。
最不戏剧性的最唐突的。。我觉得啊,就算结局了。嗯。这样就死了?就完结了?啥阿!咋地了啊!算了。黑色电影要不然就是开放式结局,要不然就是悲剧。这都算好的了。
冲着吉尔达电影里那个经典的甩头“me?”还有她三段表演,尤其是最后的手套舞。我给四星。四星最多啦!
以上。
本片是分析黑色电影经典时一定会被拿来举例说明queerness的作品。各种台词都暗(明)示两位男主关系到这个份儿上,如果还只以为是单纯的“两男追一女”,好好想想自己是不是太直了点。这可不是单纯的直人传统三角恋。
摘了一些外网总结的暗示性台词和细节:
Gilda: bisexual love triangle
Gilda is a 1946 film ahead of it's time, about a bisexual love triangle set in the world of high class gambling starring Rita Hayworth, Glen Ford and George Macready. Since the Hollywood code was still firmly in place, everything had to be suggested rather than direct, but the bisexual overtones are unmistakable and this film goes farther than any other I've seen from that time period. In fact, I'm not sure how it slipped past the censors..
In scene two, Glen Ford (as Johnny Farrell) is held up at gunpoint after winning a craps game on the docks of Buenos Aires in Argentina. A man with a cane that has a retractable blade comes along and saves his neck.
The older man is impecably dressed with a cravat-like scarf and pocket square. His face appears smooth, white and hairless. He seems refined and sort of gay. The retractible blade-tipped cane is both menacing and a sort of phallic symbol. He presses it against a crate to re-sheath it.
Johnny: A cane like that can come in handy.
Balin: It is a most faithful, obediant friend. It is silent when I wish it to be silent, it talks when I wish it to talk.
Johnny: That's your idea of a friend?...You must lead a gay life.
Balin: I lead the life I like to lead.
Johnny: You're a lucky man...
As the conversation goes on, Balin Mundson pulls out out a fancy cigarette case, takes a cigarette and puts it in his mouth. Ford helps himself to a cigarette and puts it in his mouth. He lights a match and lights the other man's cigarette, then lights his own...which is movie symbolism for flirting.
Ford's character, Johnny, shows up at the casino the next night and convinces Balin to hire him as a dealer at the casino.
Johnny: This way you'll have two friends. You've no idea how faithful and obedient I can be... for a nice salary.
Balin: This I must be sure of: that there's no woman anywhere.
Johnny: There's no woman anywhere.
Balin: Gambling and women do not mix.
Johnny: Those are the very words I use myself. Now shall we quit talking about it?
Balin: There was one once.
Johnny: Get this, Mr. Mundson. I was born last night, when you met me in that alley. That way I'm no past and all future, see? And I like it that way.
In another scene, Johnny and Balin drink a toast "to the three of us," indicating the cane as the third.
Johnny's naration: "It makes me laugh now, me being so sure it was the three of us."
Balin returns from a trip where he left Johnny in charge of the casino and invites him over to his house. Johnny is very excited. When he arrives, Balin is wearing a robe and a cravat. He brings Johnny upstairs...and introduces him to his new wife, Gilda. They obviously recognize each other and are shaken up by it. The audience realizes they were lovers.
Johnny to Gilda: Congratulations.
Balin: Oh, You dont congratulate the bride, Johnny. You congratulate the husband.
Johnny: Really.What are you supposed to say to the bride?
Balin: You wish her good luck.
Johnny: Good luck
Gilda: Thank you Mr. Farrell. My husband tells me you're a great believer in luck.
Balin: We make our own luck, Johnny and I.
Gilda: I'll have to try that, sometime. I'll try it right now. Tell him to come to dinner tonight with us Balin.
Balin: It's an order.
Balin walks Johnny downstairs.
- When did you meet her?
- The day I left for the interior.
- When did you get married?
- The day after that.
- Quick.
- You should know Johnny that when I want something I-
- You buy it quick.
- Do you know anything about her at all?
- It's an odd coincidence, Johnny. Listen to this. She told me she was born the night she met me. All three of us with no pasts, just futures. Isn't that interesting?
- I think it's fascinating.
- What's the matter with you?
- I thought we agreed that women and gambling didn't mix.
- My wife doesnt come under the category of "women," Johnny.
- I could've made a mistake.
- You did. Don't make it again.
- It starts already.
- What's this?
- Tact.
- [Gilda calls Balin back upstairs]
Johnny naration: "It was all I could do to walk away. I wanted to go back up in that room and hit her. What scared me is, I wanted to hit him, too. I wanted to go back and see them together with me not watching. I wanted to know."
Upstairs, Balin helps Gilda with the zipper on her evening gown.
Balin: I want you to like him.
Gilda: Are you sure about that? He's an attractive man, if you like the type. [insinuating both that he does like that type and that he should watch out]
还有后面Gilda问第三者“he or she”,等等等等……不胜枚举。
这个片如果要译出这些意有所指的部分,需要非常厉害的翻译功力和眼力。如果有条件,一定看英字细品。
以现代人的审美观来看,这部电影仿佛太老旧了些,故事也有些头重脚轻,不够“黑色”;丽塔·海华丝眉毛画得太细,扮相过于老成,但这一切并不妨碍她用那双迷人的双眸来媚惑观众。当然里面最出彩的要属那两段她的个人歌舞秀,嗓音和舞姿都太美。所以该片叫“姬黛”,而不是“赌场风云”什么的。
这样的女人你不爱你就是傻瓜
她仅仅脱下了一只手套。。。却令人血脉贲张
打败我的不是RH这个甩头发脱手套就顺便把全世界男人魂牵走的高挑美女 相反的 我觉得她跳舞的时候总是怕抹胸裙掉下去似得缩着胸 少了气质缺了自信 打败我的是她那首put the blame on mame 分别出现在她的出场 她弹吉他和最后的那场黑裙演出 像是一个荡妇在责怪潘多拉蝴蝶效应引起一场地震 风味十足
5- 电影节第一天@影城 天蝎男女纠结的爱恨情仇惹我像十三点一样笑场不断囧 演技派 张力十足 中间那一段极醉人 几个舞蹈和音乐片段也经典 男人讲故事的方式很苦月亮 不过女人太夺目了 其他的人物似乎就没有那么丰满 u'r the air i bre..the food i ate /// 十年后在北影节重看穆赫兰道,看到Rita出处
是她最有名的电影,在《肖申克的救赎》里面就有她甩头发的经典镜头
摄影几近完美,明暗反差强,让一对男女的爱恨交织有了黑色电影的质感。可惜结尾好莱坞强盗逻辑占上风,如果安排巴里杀死吉尔达,法雷杀死巴里后孤独离去能更震撼。旁白不像双重赔偿那样絮叨却同样克制情绪,太适合城府比深井深的男主角了。除了海华丝真女神无疑,偶然发现福特有气质常驻FN哦。
一部与美人计同年出品且相似背景、又被称作“反·卡萨布兰卡”的黑色电影。情节本身乏善可陈,影史留名完全得益于海华斯的魅力四射以及两位男主间的同性潜文。福特后来曾告诉电影学者自己与麦克雷迪很清楚演的是同性角色,可导演查尔斯维多听说后却表示从来没有过这种念头。吉尔达上映之时适逢比基尼环礁核试。其中第四枚外壁装饰了海华丝的杂志封像,再以黑体字印上昵称“吉尔达”。本意是出于赞美,但却惹恼了当事人。据威尔斯事后回忆,“她本来就是暴脾气,听闻此事之后怒到极点,几近疯狂!她一度打算去华盛顿开记者发布会,被哥伦比亚影业老板拦下,因为此举将被视作不爱国。”……三星半。
发现两件事。身材好但是脸没有非常漂亮的女人更hot!男主太像扎克埃夫隆Orz....
没有另一部电影将“我恨你”这三个字蕴含的情感表达得如此到位了
情色的黑色电影,银幕女性形象之荡妇的代表,这是女性形象四大类中最为迷人的异色。|若表达同性恋,大多数会采取间接的方式,这恰好也是现实中同性恋面临的情况,人们只能间接的表达他们自己,人物被关在柜子里。2q
什么Femme Fatal啊,就是琼瑶苦情纯爱片啊!改个片名叫郎心似铁鬼丈夫好么!海华瑟跳舞美呆了!!!
这个电影让人很抓狂。看到前四分之三的时候都相信,它将跻身我最爱电影之列。可之后故事走向诡异,到了片尾,之前营建起的所有暧昧,复调,影射和潜台词都被摧毁,夷平。这个戏的人物模型让人想起cabaret中段。台词水平高超极了。尽管丽塔艳到不可方物,可真正有趣的却是那两个男人间的性紧张
除了那个著名的甩头,手套脱得好色情。故事不够黑色,视觉则是黑色教科书
20110611@上海影城
在我手机里循环了一年多的put the blame on mame原来出自这里!http://dou.bz/0aLoAe发现这么多赤裸裸的broromance语带双关的性暗示对白就这么被俺无视了
压了20分钟左右,丽塔·海华斯华丽转身。倒不算黑色了,像个虐恋。三星半
被末尾转折坑死,发现好些电影受临门一脚所害,而这临门一脚真心决定你是拍大腿叫好还是懊恼不已。对RH无感,她的歌舞于我就是对牛弹琴。GF的主角给后来的Dirk Bogarde必然也是超适合(对比仆人),自带SM气质,难怪感觉上像,神态长相也像,另外我也觉得约翰和巴林才是一对!
“I hated her so I couldn't get her out of my mind for a minute."All men fell in love with Rita Hayworth.
一直都很黑的, 也很愛情三角錯, 還很腐味, 但最後卻大反轉, 荷里活式大結局, 還有抄卡薩之嫌, 又是警察做好人放過.....麗塔/烈打小姐性感多次, 影評人劉先生特別指出兩次不那麼性感(密實性感)時是同一套流行嘅淑女套裝, 包括結尾.....也指出電影公司特別打造她, 將她從外貌到姓名全都改成合乎主流--白人金髪.....我則覺戲中大半都算前衛的女性主義, 自己身體自己負責, 但為完滿結局, 還要強加一筆冰清玉潔, 種種變成純為耍男主花槍.....算不算導演女主與電影公司角力後平衡, 或純是電影公司策略, 要性感卻又貞節.....