剧照
更新时间：2023-09-01 13:10
详细剧情
心灵封闭已久的中年教师戈列格里斯，无意间在书店发现葡萄牙作家普拉多的 随笔《文字炼金师》，被书中充满哲思的文字吸引，毅然抛下井然有序的生活，展开探索心灵、寻找生命终极答案的旅程……在里斯本，戈列格里斯探访普拉多的生平，一步步重建这位非凡医生、天才作家的影像，揭开葡萄牙独裁政权时期的一段隐秘的黑暗。在一步步走近了解普拉多的同时，格列格里斯也检视自己，重新找回生活的节奏和意义。
长篇影评
1 ) 什么列车能开往心灵的那站
57岁的Gregorius是一名在中学教拉丁语，希腊语和希伯来语的语言学教师，他每天过着枯燥无味的生活，生活对于他来说也没有太多的色彩。但就在一个雷雨交加的早上，他邂逅了一个试图想要跳河自杀的红衣少女，这突如其来的邂逅竟然让他放弃了原本的生活，踏上了开往里斯本的列车，开始了一段审视灵魂的旅程。
2 ) 电影和旅行
2014年8月29日，在堪培拉的记录：
昨晚把前晚没有看完的电影《前往里斯本的夜车》看完，电影开头和结尾都是同样的几句话，由电影主人公缓缓读出，直逼心灵深处，觉得那就是说给自己听的:“we travel to ourselves when we go to a place that we have covered a stretch of our life, no matter how brief it may have been. But by traveling to ourselves, we must confront our own loneliness. 当我们行走于他处，无论时间长短，这都是走向自己的旅程。但要走向自己，我们必须面对孤独。” 这次在澳的旅行，决定去哪里、看什么、停留多久，这都是一步一步走向自我内心的过程。其中犹豫不决过，孤独过，欢欣过，幸福过，爱过…所有的情绪和情感自己一人慢慢品味，品味之后的人生也许就更加饱满和丰富。就正如从美术馆里出来看天天更蓝，植物园里出来看花更艳看草更绿。电影里接着还说“And isnt it so that everything we do is done out of fear of loneliness? (难道我们不正是害怕孤独才做这所有的事吗？”) Isn't that why we renounce all the things we'll regret at the end of our life?(难道这些不恰恰又是我们在生命结束时所宣称最为遗憾的事吗？)其中的哲理也许我还要花上一生的时间去理解，但是这次旅行毫无疑问是又一次向内而走的旅行。
3 ) 《去里斯本的夜车》中几处英文长段的摘录整理
看完《去里斯本的夜车》，和片中的铁叔一样对《文字炼金师》中的描写段落着迷，跟着铁叔极具磁性的嗓音，边听边看就像去远方神游了一番，完成了一趟电影旅途后又回到现实之中。其中有太多精妙优美的句子和我自己对生活的感悟不谋而合，大有被写出心中共鸣之感，于是挑了自己觉得最值得欣赏品味的语段，摘录于下，和友人们分享：
（图文：http://www.douban.com/note/325383183/）
What could, what should be done with all the time that lies ahead of us, open and unshaped, feather-light in its freedom and lead-heavy in its uncertainty?
Is it a wish? Dream-like and nostalgic, to stand once again at that point in life, and be able to take a completely different direction to the one which has made us who we are?
We leave something of ourselves behind when we leave a place; we stay there, even though we go away. And there are things in us that we can find again only by going back there. We travel to our souls when we go to a place that we have covered a stretch of our life, no matter how brief it may have been.
But by traveling to ourselves, we must confront our own loneliness. And isn't it so that everything we do is done out of fear of loneliness. Isn't that why we renounce all the things we'll regret at the end of our life?
Is it ultimately a question of self-image, the determining idea one has made for oneself of what one has to have accomplished and experienced so that one can approve of the life one has lived?
If the certainty befalls us that it will never be achieved this wholeness, we suddenly don't know how to live the time that can no longer be part of the whole life.
The real director of life is accident, a director full of cruelty, compassion and bewitching charm.
The decisive moments of life, when its direction changes forever, are not always marked by loud and shrill dramatics. In truth, the dramatic moments of a life-determining experience are often unbelievable low-key. When it unfolds its revolutionary effect and make sure that life that it revealed in a brand-new light. It does that silently, and in this wonderful silence resides its special nobility.
I would not like to live in a world without cathedrals. I need their beauty
and grandeur against the dirty colors of military uniforms. I love the powerful words of the Bible. I need the force of its poetry. I need it against the decay of language and the dictatorship of worthless slogans.
But there is another world I do not wish to live in. A world in which independent thinking is disparaged, and the finest things we can
experience denounced as sin. A world in which our love is demanded by tyrants, oppressors and assassin. And most absurdly, people are exhorted from the pulpit to forgive these creatures and even to love them.
It is for this reason we cannot just put the Bible aside. We have to throw it away completely, for it speaks only of vain holier-than-thou. In his omnipresent, the Lord observes us day and night. He takes note of our acts and thoughts. But what is a man without secrets? Without thoughts and wishes that he, and he alone, knows? Does the Lord our God
not consider He's stealing our soul with his unbridled curiosity, a soul that should be immortal?
But who would in all seriousness want to be immortal? How boring to know that what happens today, this month, this year, does not matter?
Nothing would count.
No one here knows what it would be like to live eternally. And it's a blessing we never will. One thing I can assure you, it would be hell,
this endless paradise of immortality. It is death and only death, that gives each moment beauty and horror. Only through death is time living thing. Why does the Lord not noticed? Why does He threaten us
with a... endlessness that can only be unbearably desolate?
I would not want to live in a world without cathedrals. I need the luster
of their windows, their cool stillness, their imperious silence. I need the holiness of words, the grandeur of great poetry. But just as much I need the freedom to rebel against everything that is cruel in this world. For the one is nothing without the other. And no one may force me to choose.
Imagination/Intimacy is our last sanctuary.
In youth, we live as if we were immortal. Knowledge of mortality dances around us like a brittle paper ribbon that barely touches our skin. When in life does that change? When does the ribbon tighten until finally it strangles us?
4 ) 观后感
“今天早上我突然想为自己做点不一样的事。我不愿再当各位的无所不知，虽然我不知道要去过何种新生活，但这件事刻不容缓，没有任何事可以阻止我的决心。我的时间已经流逝，剩下的时间或许也不多了”。 《里斯本夜车》是第一本真正意义上触动到我的书。当我在图书馆读到戈列格里斯的“宣言”时，内心深处仿佛有什么东西被点燃了，大脑哄得一下失去了正常思考的能力，手也在微微颤抖，或许是因为意识到自己还活着而感到兴奋。 戈列格里斯从伯尔尼到里斯本之旅，明面是为了探寻普拉多的内心和灵魂，实则是对自我的探寻。指引他前行的《文字炼金师》是整本书的灵魂，文笔沉静优雅，每一句都直击内心，不是戈所描述的“令人内心酥软麻醉”，而是令人醍醐灌顶。 然而电影只拍全了故事，精髓一点儿没抓到，可惜了这本书。以及演员选得不怎么到位，电影里的戈列格里斯也太聪明太有品位了吧，这样的人怎么可能在57岁才首度掌握自己的命运呢？
5 ) 你的故事，我的旅程
我一向对贵族+女性+革命+爱情+历史的电影着迷，这部里斯本的夜车就是如此。一位瑞士中年教师，因为一部文学作品而前往里斯本寻找作者生平，因而掀开了一位高富帅走向民主左翼并加入反对派支持革命的心路与生命历程，一生如画卷般展开与凋谢。
这部电影的画面，囊括了南欧灿烂的大海、阳光和里斯本蜿蜒的风光。而且音乐动人，明星云集，譬如兰普林扮演的年老的安德林娜，即使是本场龙套的Sarah Spale-Buhlmann，也是这么迷人优雅，还有当红的Mélanie Laurent。
当然，电影的主角还是越老越性感的杰瑞米·艾恩斯，这位生活非常boring的教师因为冲动而走进里斯本，追寻到别人故事的精彩，自己的旅程却。。。。
这部电影的画面，囊括了南欧灿烂的大海、阳光和里斯本蜿蜒的风光。而且音乐动人，明星云集，譬如兰普林扮演的年老的安德林娜，即使是本场龙套的Sarah Spale-Buhlmann，也是这么迷人优雅，还有当红的Mélanie Laurent。
当然，电影的主角还是越老越性感的杰瑞米·艾恩斯，这位生活非常boring的教师因为冲动而走进里斯本，追寻到别人故事的精彩，自己的旅程却。。。。
6 ) 书和电影
先看了里斯本夜车这本书。戈列格里斯遇见一个女子后，开启了一段异国旅程。说走就走的异国他乡，总会经历磨难，经历内心的挣扎，克服一切走到最后的人或许更能发现自己的内心世界。书里无论是格里戈里斯旅行中的心路历程，亦或是普拉多对人性的探索，都深深的打动我心。显然，我认为电影的深度不够，也可能我没发现电影的妙处。
如果你有两天时间，请看一遍书吧。
如果你有两天时间，请看一遍书吧。
还是比原著差点 为Iron叔加一星
巨星云集 剧情散乱
各种老戏骨打酱油，让原本影片中的故事显得苍白，Irons的嗓音越苍老越性感，为配合电影，其他演员拗口的英语真是听得难受。里斯本风景很美，值得去看看的地方。
我的未来也可能是一个中学教师，也可能哪一天就这么离开。
3.5為什麼我覺得很好看，難道是因為剛去過德國的緣故嗎？
花时间去看别人的精彩么
三星半；虽未看过原著，铁叔的文艺范还颇镇得住，气场女王兰普林助阵，加以“里斯本”的天涯海角意象，整个片子还算好看；最加分的是引用男主文字，葡国果然盛产诗人啊！可惜线索和叙事结构太芜杂，剧情靠大量正反打对话推进，有点乏力，削弱意欲表达的深沉意味。
大腕儿乱炖最烦了
八月君从无耻混蛋到里斯本夜车一路辛苦地追Mélanie姑娘，可是最后都没追到，这真让我难过。
喜欢的全都有。
为寻找一名偶遇的神秘女子，平生循规蹈矩的瑞士中学老师踏上了一趟去里斯本的列车。根据女子留下的小说为线索，老师逐渐调查出一个七十年代革命前夕的爱情故事：反叛权贵世家出身的理想主义青年，博闻强记的革命情人，白色恐怖下的秘密警察……故事的碎片逐渐形成了一幅颇有诗意的历史拼图
无意中解救一个人找到了一本随笔，开始了探究作者生平之路……
很一般啊。
只要是里斯本风光宣传片我都能打十星啦。
发现短评趋向两个极端：说沉闷无聊的多半没看过原著也根本不会耐着性子去看;说深度不够的，拜托这是电影！哲学小说改编能拍成这样，原著党表示知足了。演员美，里斯本风光美，尤其是425大桥作背景可真美啊。
借着一个批判独裁体制的外壳，实质上还是在探寻生命的意义，讴歌人性的美好。这样的欧洲电影，真的很难不爱。
两星半吧...表演还成...
单看还是不错，但是远不及原著精彩
有点平，应该精彩的故事变成小清新，想看原著
对于字幕翻译者的痛恨，已经不能言语了。 不带这么毁人家大作的吧。