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更新时间:2023-09-01 12:05

详细剧情

  Martin (John Amplas), a young man who looks around 20-years-old, boards a train in Indianapolis, Indiana for New York. At night, he breaks into a sleeping car and sedates a woman with a syringe full of narcotics. She struggles, but he tells her not to struggle or be upset because she wont feel pain. After a few minutes, the woman falls asleep, and Martin has sex with the unconscious woman. Afterwards, he slices her wrists with a razor blade so he can drink her blood. The woman bleeds to death in her sleep.  In the morning, the train stops in Pittsburgh, Pennsylvania where Martin disembarks. He is met by Tata Cuda (Lincoln Maazel) an elderly and hostile old man who claims to be his cousin from the Old World. Together, they travel by another train to the town of Braddock, a dying industrial suburb. They walk to Cuda's large house where he shows Martin his living quarters. Cuda then accuses Martin of being an 84-year-old vampire from his old country. He has taken in Martin because he is family, but tells him, "First I will save your soul. Then I shall destroy you." Martin denies being a vampire and implies that Cuda is merely his uncle rather than his cousin. Cuda then puts up strings of garlic on the doors to his and his granddaughter's room, and then holds up a small cross when Martin approaches him. Martin takes away the cross, and even takes a bite of the garlic mocking these attempts by saying bitterly, "There's no real magic... ever". Cuda tells Martin that he can come and go as he pleases. But he also warns Martin that he will kill him if he kills anyone in Braddock. He also tells Martin to stay away from his granddaughter Christine (Christine Forrest), whom arrives home from her job that evening.  Cuda introduces Christine to Martin, but also warns her to stay away from him. But Christine instead strikes up a friendship with Martin who confides in her about his vampire heritage. When Cuda later confirms Martin's claims to be a vampire, Christine, not surprisingly, refuses to believe either one. She thinks that Cuda and the other members of her family have driven Martin to insanity by making him think that he is a vampire. It is never revealed if Martin really is a vampire, or just a shy and lonely youth with troubled issues. Christine is the only person that Martin gets the courage to talk to. When Christine's boyfriend Arthur (Tom Savini) arrives at the house for dinner, Martin stops talking and backs away despite Arthur's attempt at a conversation. Christine later confides in Martin that she hopes to leave Braddock someday with Arthur, even though Martin points out that Arthur treats her badly and is both verbally and physically abusive towards her.  When Christine sees that Martin won't talk to anyone else, she buys him a phone which he installs in his room. Martin begins to repeatingly call a radio talk show where he describes what it's like to be a vampire. He becomes known on the radio as "the Count" to all the listeners. But the patronizing host (Michael Gornick) thinks he's just crazy.  Martin gets a job at Cuda's grocery store of stocking shelves, hauling boxes around, and even gets to be a delivery boy for some of the customers. One of his customers is a certain Abby Santini (Elyane Nadeau), who becomes taken in with Martin. She is a very friendly young woman who is depressed when she tells Martin that her husband is unfaithful. But Martin still does not have the nerve to talk with her, so she is happy to have someone to confide in with her life problems. Martin phones the radio show host to describe his infatuation with the housewife and senses that she wants to have sex with him. When the radio show host asks Martin if it is a sexual problem that he has involving women criticizing him during sex, Martin replies that he has never had sex with a woman who was awake.  One day, Martin travels by train to outside Braddock to look for victims. At a supermarket, he follows a young woman (Sarah Venable) home to her posh suburban house. He sees the woman's husband (Richard Rubenstein) leave for a long business trip, and Martin decides this would be the right time for more feeding. Martin returns to the house after dark and breaks in through the garage door. But it is Martin who gets the surprise when he bursts into her bedroom to find her in bed with her adulterous lover Lewis (Al Levitsky). After a vicious struggle, Martin jabs both of them with hyprodermic needles with narcotics, and waits for the drugs to take affect. He drags the unconscious body of Lewis from the house to a clump of trees across the street where he kills him by shoving a broken tree branch into his neck and drinks his blood. Martin returns to the house where he has sex with the unconscious woman. But out of compassion and pity, he decides to let her live.  Martin begins to have romantic monochrome visions of his vampire past (real or imagined), where he drained blood from a young woman and was chased through the streets of a nameless European town by a torch-lit mob.  During one Sunday at church, Cuda brings home Father Howard (George A. Romero) who asks him about the possibility of exorcism and demon possession. Father Howard calls upon the elderly Father Zulemans (Clifford Forrest, Jr.) over at Cuda's request. Together, Cuda and Zulemans confront Martin his bedroom and attempt to perform an exorcism on him. At this point, Martin remembers (another real or imaginary flashback), in the Old Country of people trying to perform an exorcism on him, and he flees them. Martin then flees from Cuda and Zuelmas as well. A little later that night, Martin terrorizes Cuda in a children's playground when he puts on a Dracula cape and puts false fangs into his mouth to pretend that he really is a vampire.  One day, Martin finally musters the courage to talk with Mrs. Santini during a routine delivery to her house where he tells her that he's aware of her attempts to seduce him and wants now to have sex with her. After having sex for the first time, Mrs. Santini becomes more depressed for she tells Martin that her husband just left her because she discovered that she cannot bear children, and that her desires towards him are based on sex and nothing else. But Martin wants to stay with her and help her move on with her life. Martin tells the radio show host about his affair with the housewife and that he no longer has the urge to attack other women.  Meanwhile, Arthur meets with Cuda and tells him that he wants Christine to leave town with him so they can get married and start a family. But Christine becomes angry at Cuda when he tells Arthur that insanity runs in their family and he shouldn't consider having children with her. Shortly afterwards, Christine packs up and leaves Braddock for New York with Arthur despite Martin telling her that Arthur is abusive towards her. But her mind is made up. Before leaving, Christine tells Martin that she really has no ill feelings towards him and just wants to make a fresh start with her life. She says goodbye to him and promises to write. But Martin knows that with an abusive and possessive man in Christine's life, she probably won't.  Depressed over losing his one true friend, Martin phones the radio show host and tells him that he's getting "shaky" and wants to go out looking for more victims. That night, Martin travels to a rough crime-ridden area of Pittsburgh and attacks two derelicts in a alley, injecting them with narcotics. He kills one of them by silting the bum's wrist and drinking his blood. Martin is about to kill the second one when a police car shows up and gives chase. Martin narrowly escapes during a long chase on foot which leads from the garbage strew streets and through a local store. Martin runs into an old warehouse where a drug deal is going down. A shootout between the two cops and the three thugs begins where all of them are killed, leaving Martin as the sole survivor who casually walks away from the carnage.  One day, Martin finds Mrs. Santini dead in her bathtub, after she had slit her writs with a razor blade. Martin anonymously calls the police to report the body and leaves. He phones the radio show host one final time to say that he really doesn't need friends or people to talk to for he is his own person. But when Cuda learns about Mrs. Santini's suicide, is mistakenly thinks Martin killed her and made it look like a suicide as he's done before. Cuda walks into Martin's room while he is asleep and kills him by hammering a wooden stake through Martin's heart.  Cuda buries Martin's body in his back garden, while over the closing credits various voices from people are heard talking to the radio show host asking the whereabouts of "the Count".

 长篇影评

 1 ) 如果我是马丁

马丁是一个普通孩子,但是有一天,他突然有了一个神奇的技能,就是每天都能变成另一个人,拥有不同的身份。有时候我会想,如果我是马丁,且拥有操控的能力。第一天我想变成大美女,体验一下美女在普通人中的待遇究竟如何,第二天变成帅哥,看看男人和女人的待遇又如何?第三天变成明星,体验一下娱乐圈;第四天变成富商的女儿,当小公举,第五天变成大熊猫,哈哈哈哈哈哈。

 2 ) 这部童年经典,现在看我也不觉得过时

最近两天在看《马丁的早晨》,90后的朋友听到这个名字应该多多少少有些印象,毕竟它作为童年经典之一,为我们的年少岁月注入了许多的想象力元素。

这部儿时回忆,即便到了现在的年龄,看起来也不觉得无聊,想象力十足,每一集一个完整的小故事,每一天早晨,主角醒来,身份都会产生一个神奇的变化。

功夫马丁
魔法师马丁和超人马丁

“变成了龙啊真可爱,变成了原始人不太帅”

有时是一个魔法师,可以笨拙的施展魔法,有时是一个身材健硕的超人,可以飞天入地,力能扛鼎,有时候变成一个国王,身边有大臣伺候着,有时候是一个巨星,一觉醒来全国人民都是自己的粉丝……每一次变化,每一次代入,都十分的新奇而有趣,在那个娱乐匮乏的年代,对那个时候还是一个小学生的我,是一份想象力的补剂。

克隆人马丁

可也不全是好的身份,有时候就变成吸血鬼,只能自卑的躲在古堡的地窖里,有时候变成了一个倒霉蛋,一天到头每一次转折迎来的都是厄运。可终究会化险为夷,因为马丁虽然内心,有时胆小,但他心地善良,而且在关键时刻,往往能释放出超乎常人的勇气。这是在很多影视或文学作品中都是主角的标配。不过抛开主角光环,他和自己的小团队的紧密配合,也是屡次化险为夷的关键所在。

“郭莫是你的好朋友,罗娜是你喜欢的女孩”

马丁的好朋友郭莫是一个小天使,性情爽朗,事件处理小能手,还会写代码充当一波黑客。每天早上准时在马丁家门口等他上学,不论马丁变成了什么,他嘴里说的第一句都是“太棒了”。能出谋划策,也能替挨拳头,十足的好哥们。

郭莫是你的好朋友

罗娜则是马丁的小青梅,有想法又敢于表露自己的感情,马丁和别的女生有了互动,她会很明白的表达出自己的不满,而无论什么时候,只要马丁解释清楚,她总是能很快地原谅和理解,而且罗娜十分聪明又很有正义感,在情节中多次起到关键作用,可以说有礼有节,有这样的小女朋友,我作为观众其实一直在吃狗粮。

超人马丁拯救小女友罗娜
你的爱就在离你几米远的地方

电视剧圈有句话比较流行,说爱情公寓为什么拍的明明不怎么样,依然有那么多人喜欢看,是因为它描述了一种当代年轻人希望却不可得的一种生活状态:好朋友就住旁边,最爱的人就住对面。

这也是《马丁》让人喜欢的地方,这部央视播出的动画,在2003年就向还是孩子的我描绘了这样的生活:好朋友每天都在门口等我上学,喜欢的女生也一直的喜欢着我。关键三个人还都是一个学校一个班的座位还挨着……

貌似也没什么不对……

三人组在一起不断突破各种难关,这样一个一个的小故事,看起来太解压了。繁忙的工作让神经紧绷情绪焦躁,把这个小东西往旁边一放,甚至不用用心去看,只把它当作背景音,心情也会渐渐平复。

这一周,我的工作之余,就交给它了。

 3 ) 马丁

马丁的每一天都是一个崭新的冒险故事。每一天,马丁和他忠实的伙伴郭莫.罗娜都会从校园里来到一个神奇的地方,遇见一个个古怪而搞笑的对手,解决一个又一个的麻烦。最后,他们的勇气.信心.智慧与友情,当然,还有他们的好运气,总会在关键的时候令他们战胜一切困难,凯旋而归。马丁的故事基本都是由一个个怪诞的笑话组成的,所以在你和马丁.郭莫.罗娜一起闯关的过程中,总是充满了欢声笑语······

 4 ) 当时已经是初中生的我看得目不转睛

今天和同事回忆小时候看过的动画片,回忆翻滚,想念那个充满进口动画片的年代,都是良心之作啊,大草原上的小老鼠,马丁的早晨,同龄的同事居然没看过马丁的早晨,一查原来是2003年的,当时我已经上初中了,作为大龄儿童时看的,就像断奶断的晚,我断动画片果然是晚。这部画质感人到哭,剧情也是blow my little mind,觉得童年好富有呀呀呀

 5 ) 为中国的”明日动画“开天辟地

  每天早上当马丁醒来后,都会有一个新的角色在等待,并会发生一些不同寻常的事情。比如他会力大无比如超人,又会变成小龙人、变成国王、变成外星人、变成原始人、变成侦探、变成机器人甚至克隆出三个马丁.......由此而引发出了一个个有趣的故事。 52个早晨,52个马丁的形象,52个幽默风趣、惊险紧张、内容不同的故事给人们打开无数异想天开的想象空间

  早在上个世纪80年代中国动画工作者就试图以外加工的形式在动画界崭露头角。“天下攘攘皆为利往”,外加工为中国动画带来了财富,同时也让中国动画人才通通去搞动画加工,甚至许多立志从事中国动画事业的优秀人才,特别是一些剧本导演人才,由于没有一个明确的导向,往往就把青春耗在了动画加工上面。这对国内原创力量是一个很大的打击。更为严重的是,年轻一代的人都去从事动画加工,必然导致青黄不接。于是,技巧与理念均已高度成熟的‘’中国学派“风格没有被很好地继承下来。却形成这种中不中、洋不洋的局面。

  
  加工永远只是一个谋生致富的手段。而不能成其为通向另一个彼岸的桥梁动画加工是一件非常枯燥无味的工作。跟平时人们印象中活泼有趣、充满想像力、天马行空的动画创作完全两码事,没搞过原创的人去从事加工,谁都不会认为这有什么乐趣,自然也就没有什么热情要从加工过渡到原创了。


  “作为加工商,你永远在圈子外徘徊。只有投资和联合,才会有知情权。”《马丁的早晨》 这样一部成熟的具有欧洲风格的动画片,实现了中外合拍的愿望,学习国外的市场运作经验,突破加工商的限制,只有学进来才能走出去,才能走进国际市场,实现国人的期盼。

 《马丁的早晨》虽然还不能说是一部原创的国产动画,它的风格也与大家希望的中国特色相去甚远。但其运作模式的突破,使得国内动画公司在保障自身生存的前提下,又能参与到全盘的动画操作中去。这不能不说是一条从加工到原创的切实可行的路子,尤其对那些不满足于仅仅是加工商的人们,其借鉴意义更是难能可贵。


  动画是一种文化商品,只有先以创作而成文化,后以操作而成商品,动画产业才能成熟兴旺。张天晓兼备了这两个条件,解决了“做不做”的问题,剩下的就是“如何做”了,但这是次要的。很多事从一开始就注定了结局,宿命论的存在就在于此。很显然,建立在投资与加工基础上的《马丁的早晨》的合拍,绝不是张天晓所要求的最终结局。这个最终结局的实现。还要依靠更多张天晓们的奋斗。更多“今日动画”的崛起。而中国的“明日动画‘将在这些奋斗和崛起中益发美丽!

 6 ) 一首属于孩子的幻想诗

《马丁的早晨》这部动画片还挺好懂,就像他的名字,每天早晨马丁都会变身一个新的角色,然后在不同的角色背景下闯荡世界。

马丁每天都是不同的马丁,但他也依然是那一个马丁,有时候会不太自信,会犹豫,但是确实是一个负责任的、值得信赖的伙伴。

在现在成人的逻辑可能会觉得太荒诞啦,他变成各种身份角色,为什么身边的人还是一如既往,完全接受了,甚至因为他的身份不同也许还能拍出各种伦理大战、引发成人世界的戏剧冲突。不过这部动画片还是坚持着孩童的角度,朋友、同学、老师都是一样的对待他,和他一起冒险。

很可爱的一首属于孩子的幻想诗。

 短评

“”马丁马丁~!每天早晨你醒来~ 马丁马丁!有个奇迹在等待~ 变成了女孩真可爱~变成了原始人不太帅~郭默是你的好朋友~罗拉是你喜欢的女孩~!!!

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