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更新时间：2023-12-30 12:44
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以東方武術為主題的《暴力醒思》，身為東方人的waye當然對於其中的內容呈現有自己的想法，waye的結論是：只要是透過鏡頭的再呈現，就一定會有觀點，這世界沒有忠實呈現真實這回事，就算是當事人也一樣，我們必須要有的是判斷接受哪一種觀點的決斷力而已
长篇影评
1 ) 暴力在我们思考前就已经出现
冥想的暴力
克里希纳穆提说暴力不是爱
但是暴力确实很矫情注入我们的爱中
我们暴力不是为了爱
当然你也可以说是为了爱
那是世界的一种生物
在我们思考前就已经出现
并且是这样的：
在爱与恨暴力中存在
而那些恨暴力的人同时也是有可能爱的
那是他选择的方式
克里希纳穆提说暴力不是爱
但是暴力确实很矫情注入我们的爱中
我们暴力不是为了爱
当然你也可以说是为了爱
那是世界的一种生物
在我们思考前就已经出现
并且是这样的：
在爱与恨暴力中存在
而那些恨暴力的人同时也是有可能爱的
那是他选择的方式
2 ) 无形无象的意识形态舞蹈
从纪录片In the Mirror of Maya Deren里面摘了两段话，可以做影评。
This is the most personal film of maya. She doesn’t appear in the film, but she is the camera. She is moving. She is breathing in relation to this dancer. She is composing so that the one shadow or the three shadows or at times the no shadow of this dancer against the background are the integral part of the dance. Every kind of quality of texture is a really felt part of the frame. So I feel, this is very personal.
[Maya Deren] Metamorphosis in the large sense meant that there was no beginning and no end. And indeed I found out from the Chinese boy who performed the movements here that this school of Wu Tang is based on the book of change and that it’s theory is that life is an ongoing process, constantly, and it is based on a negative-positive with a constant revolution into another negative and positive and so on. So my first problem became to construct a form as a whole, which would suggest infinity. Now the Wu Tang based on negative-positive principle translate that in physical terms into the breathing. And that’s why it’s called an interior boxing because the movements are governed by an interior condition and so I determined to treat the movement as a meditation that one circles around the idea in time terms.
This is the most personal film of maya. She doesn’t appear in the film, but she is the camera. She is moving. She is breathing in relation to this dancer. She is composing so that the one shadow or the three shadows or at times the no shadow of this dancer against the background are the integral part of the dance. Every kind of quality of texture is a really felt part of the frame. So I feel, this is very personal.
[Maya Deren] Metamorphosis in the large sense meant that there was no beginning and no end. And indeed I found out from the Chinese boy who performed the movements here that this school of Wu Tang is based on the book of change and that it’s theory is that life is an ongoing process, constantly, and it is based on a negative-positive with a constant revolution into another negative and positive and so on. So my first problem became to construct a form as a whole, which would suggest infinity. Now the Wu Tang based on negative-positive principle translate that in physical terms into the breathing. And that’s why it’s called an interior boxing because the movements are governed by an interior condition and so I determined to treat the movement as a meditation that one circles around the idea in time terms.
把武术拍成舞蹈～
入定冥想不是凝滞 而是一瞬中有千变万化 戾气与慈心完美平衡（请叫我过度解读婊 反正觉得挺有境界的 空间啊运动啊打光啊
镜头太近了，再远一点点就好。如果她的生命再长一些，是否会沉迷于东方文化？
武者，舞也。
中国功夫大百科。除了中间一段是用刀，其他全是中国拳脚功夫的大百科啊！可能这是第一次把镜头如此细腻、专注、深情的对准中国功夫！从内柔外刚的太极拳到快准狠的内家拳，各种拳术，最后的一组太美了！——这就是暴力的冥想！
应该可以相信玛雅德伦是把拳法当作一种巫术仪式或是一种肢体表演或是一种舞蹈动作 她并没有清楚理解到中国拳法中所蕴涵的一些传统东方哲学意味 比如从片名《暴力的冥想》即可知其不知//但 打拳倒放 确实有点意思 类似昨天《女巫的翻绳游戏》 the begin is the end is the begin
对武术与舞蹈的边界的反思，对肢体运动和镜头运动的关系的审视。浑然一体的流畅与呼吸，是摄影机与肢体共同完成的舞蹈。
刀或人，声或影，时或空：黛伦对何谓暴力的全面探讨。
玛雅：“我要做的是最大的分析这个点。这里发生了什么，运动越来越有深度。然后力度到顶点结束了，走向相反的方向，变为安静的状态。就在这儿...从这里，影片开始回放。”“这个运动不同寻常的地方在于平衡。中国人5世纪就发明了。”
這中國男人開始時白眼現身，樣子很搞笑
A young Oriental man with a headscarf and bare torso shadowboxes indoors in front of a series of unadorned walls, light, dark, both shades. He is then shown exercising outside with a sword in an area surrounded by a low stone wall and overlooking a river, before there is a return
这个48年拍的武术摄影/剪辑比后来香港邵氏流行的武侠片还要expressive许多 现在的很多武侠片里都能看到这部短片的影子。Maya Deren真的是好有才华。
玛雅·黛伦从武当派的武学中道家思想出发建构的“时间的立体主义”表达。不过怎么看她都是把武术当舞蹈拍的……先锋派的手法体现着内/外空间，音轨构成之中。
一直以来都对导演如何拍身体移/舞动非常感兴趣 毕竟不仅要抓好肢体表达和细节 还要同时兼顾身体与身外空间的交互 除了我对结尾落点有些意外之外这部做得都很到位 况且影片的意义在标题里已经揭示了
老人家年轻的时候打得真不咋地
“道可道，非常道。名可名，非常名。无，名天地之始，有，名万物之母。故常无欲，以观其妙。常有欲，以观其徼。此两者同出而异名，同谓之玄。玄之又玄，众妙之门。”（打了个道可道，输入法自己全打出来了。）
连看两遍~~~有点类似枯山水的观看。冥想的路径是先以一种方式关照一件事物，忽然远离，再以另一种方式接近它。枯山水中的舍石可以很暴力，因为它是对连续的时间波纹的击打。但它同时与冥想相关，它是同一种运动的另一观看角度。Maya用剪辑逼近了这种观看，她同时也证明了很凝视的也应当是很身体的。
20/1/2006 9:40pm bc
太极和武术动作的大混杂 我实在没啥感觉！
1.笛声+鼓声。2.拳术+刀术。3.男主角百分百是个实力派而不是偶像派。4.神经病....