Martha and Félix are the children of the Butcher of Mons, a notorious Belgian serial killer from the 1990s. Unstable and riddled with insecurities, Martha lives vicariously through social media. Her brother, crushed by the family legacy, takes over their father's killings. Harassed and violently assaulted at work, the docile Martha falls into madness and goes through the looking glass into the strange and terrifying world inhabited by her brother.
后半段身上带着蛇啪啪啪
Ok so who’s the megalomaniac and why is it the director?
有点晦涩,氛围感还不错……
各方面像鬼一样的电影;表层是反社会之间的狗咬狗,内里其实涌动着以剥削电影反剥削电影的意图冲动,总是把人物置于构图一侧、引导视线至画外空间也意在此,像钓鱼般地时刻玩弄着“观看的”那面。这就是那位被掳进来虐待的受害者会见鬼且这段情色场面因此停住的原因——全身黑唯有双眼被照亮能辨清的不正是沉浸在cinema中的银幕外的观众么?最后的交叉剪辑更是直白了当:一方面是成品展示(风格化的视觉奇观),一方面是制作过程(女性生理痛苦的分娩),结尾破土而出回到了“罪孽之源”- 观看本身。
........很难评,几个画面想法不错
摄影的推进与画面的留白做法很有韵味,直白的感官和生理不适之外给了些情绪的宣泄出口,文本还可以以更好的方式呈现,规避拖沓,精炼步履,或许能更好的与这类性别角力下的诸多意象式符号化后的意识流派相得益彰。
男权主义剥削片,但后半部分演变成了女性的崛起、反抗,血腥度还是不如边域之城
非法拘禁,沉闷压抑
夸克
节奏太慢也没啥血腥,男主和女主是杀人魔的后代,以为是虐杀片结果是恐怖片,中间整点魔幻的一拖再拖到结尾男主给女主复仇砍死两个人然后结束了